A few days before the fall of Nanjing, the Japanese naval aviation sank the US warship Panai in the Yangtze River. The incident caused quite a stir in the United States and angered the whole country. As the "Panai" was carrying a group of photographers and cameramans, the incident was recorded by video and then produced into a documentary by MGM, which was screened in the United States. In order to prevent the anti-Japanese sentiment in the United States from getting out of control and forcing the U.S. Government to intervene in the war against Japan too early, President Roosevelt ordered the key parts of the film to be cut off so that the fact that the Japanese army deliberately attacked could not be revealed. Even so, the screening of the film has completely reversed the American people's perception of Japan. The public opinion foundation for the United States to support China's resistance to Japan has begun to take shape. The war between Japan and the United States began with Pearl Harbor attack. As for the prelude, many historians believe that when the Panai was sunk, it was already opened. Japan has always insisted on this matter as a mistake. However, Aban entered the curtain and was close to everyone at the top of the Japanese army to expose Japanese lies with first-hand personal experience. The "Panai" incident occurred in the Yangtze River of China and sank a few days before the Nanjing Massacre. It played an important catalytic role in the evolution of the triangular relations between China, Japan and the United States. There are new writings on this matter in the United States at the age of 18. However, the study of Chinese historiography has been completely silent and has remained blank so far. Interestingly, Matsumoto's "Shanghai Times" briefly mentioned the Nanjing Massacre and simply avoided talking about it. Perhaps because the incident involved the darkest scar of the Japanese army, it was really difficult to deal with it properly. Aban's book shows all aspects of the incident to Chinese readers. One is fresh, the other is in-depth and comprehensive, and the reading results are more than general. Of course, about the surging wind and cloud in the United States
KJ Apa扮演主人公Archie Andrews，是个拥有典型青少年反叛期特征的高中二学生。暑假在老爸公司打工，在几个心仪对象中犹豫不决。同时犹豫不决的，还有写作兴趣、音乐兴趣、老爸的期许和橄榄球比赛之间的取舍。
神话+古装+现代集一体的又一部娜迦题材泰剧《娜迦之火》。该剧是由Boy、Preem、Aum（查叔）等人主演。这阵容还是让人很期待的。只是没想到我们查叔居然已经开始主演男二了！自从看了预告片以后，期待值暴增。Preem妹子瘦了，古代造型超美。Aum扮演的娜迦，痞帅且邪魅。剧情超燃，耐人寻味，而且Ost超级好听，有点港剧的感觉。余摆觉得该剧能够和《三面娜迦》一样有爆表的可能！
原来的故国情怀还有被压迫所产生的仇恨不断增长，使得渴望统一的思潮被无形的压制。
常百惠(侯佩岑饰演)在阴错阳差下品尝了“Little Bear”的主厨方织田(周渝民饰演)烹调的黄金汤，而父亲的离开，让她开始了厨师生涯。织田的师弟高桥在“Little Bear”附近新开一家法式高级餐厅“爱慕尔”，而织田、百惠以及苦恋百惠的河马(柯有伦饰演)努力度过“爱慕尔”开幕而造成生意落差的冲击。织田因为曾经年幼时受可欣父母照顾，而对可欣(赖亚妍饰演)百般关照。对织田苦涩的爱情让百惠无法再待在他身边。就在高桥因为女友陆川琳的车祸而失去味觉时，百惠接受“爱慕尔”的邀请，前往帮忙。百惠、织田与河马三人之间的分离，渐渐点燃彼此感情的火花。 久违重逢，织田渐渐了解百惠对自己的重要性。一切看在眼里的河马，决定跟百惠告白。只能对河马说抱歉的百惠，心中背负着沉重的负担。织田希望可欣能够清醒分辨自己对她的兄妹之情，而引起可欣在织田和百惠中间作梗。织田以河马才是最适合守护百惠人选的理由拒绝重新燃起告白勇气的百惠。
Let Jay make a successful appearance on Weibo.
唐贞观初年长安案件频发，先是开远门外的多起命案，接着又有古老的汉代游侠刺客组织重现，利用木人诅咒同室操戈的皇权斗争以及终南山中频发的怪现象等一系列围绕宫廷权贵和皇室秘史的事件屡现。校尉尉迟方无法破案，“娘子军”统领平阳公主之女拂云郡主也屡被卷入案中，幸得隐居长安的青年才俊李淳风频频相助，利用中国古典医学和科学侦破案件，阻止悲剧的发生。而在此过程中，李淳风也与拂云惺惺相惜，萌生爱意。然而拂云为了完成和亲沙陀族共同的使命，远嫁他乡，两人天各一方。
共尉心中一动，他知道云青山可能早已看出了自己的身份。
四十来岁的女演员艾琳在比利时与法国边境作个人巡回表演，途中她邂逅了年轻流浪汉德尔。相较于艾琳的世故、脆弱与抑郁，德尔个性温柔友善，他被她的个性与表演所吸引。虽然艾琳经常提醒自己家里有丈夫和小孩，但还是渐渐被这热情的爱慕者打动，让这年轻人闯进她那不再青春的心房。两位演员精湛的演技让这份正在萌生的恋情更加扣人心弦，因为当艾琳接受这份情感时，她明白这段感情将如涨潮的海水般终将退却..
Consumption 1QB = 1 charisma value, consumption less than 1QB, but more than 0.5 QB also gets 1 charisma value.
《做饭的男人》是一部讲述在这个满是离婚、不婚、同居不结婚的时代，家庭陷入崩垮危机的中年男女们，为了找回家庭幸福所展开一连串故事的电视剧，由曾拍摄《爱情万万岁》、《百年的遗产》等电视剧的朱成宇导演执导，曾编写《爱情万万岁》、《女王之花》的朴贤珠编剧执笔。
扮演主人公天下一的就是首次主演连续剧的松田翔太，他曾经凭借不少电影作品捧走许多新人大奖，在年轻一代演员中拥有很强的实力，今次则是他第一次挑战演出一名侦探。
The traditional way:
《芙蓉锦》定妆照 (8张)
姜洪武刚走出监狱大门就遭到一群暴徒的袭击。他们是谁？为什么这样？他不知道！！！
KBS的一档新节目,于2011年6月4日首次播出,以邀请前辈歌手为主人公,后辈歌手用自己的风格改编其名曲来演唱(偶像歌手翻唱经典老歌)对抗这样的形式进行的节目.与《我是歌手》不同的是,没有淘汰,但不排除歌手因日程问题替换和暂时下车.同时段MBC播放《我们结婚了》,SBS播放《鲫鱼面包》。
