The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
苏老，这事可真是……太……太大了。
卡萨诺瓦声乐教授永善和弟子仁静开着白色奔驰车兜风驶向郊外。但是因为违反交规与交警文在发生了冲突，这倒霉的事情似乎在暗示着什么。
After hearing these words, I briefly summarized and recorded the characteristics of two different "living biological weapons" on position 169 and position 142 in the interview notebook and compared them:
Http://www.freebuf.com/news/67204.html
要说就在金殿上说，若是到了刑部。
On the contrary, the slower the shutter speed, the more blurred the moving object will be.
陈启看了一下，《诛仙》每发表一章，这个桃子就打赏十块钱。
故事主要描述家人之间的纽带，从一个戏剧性的节点开始：在一对老夫妇结婚5 0周年前，丈夫问妻子想要什么生日礼物，得到的答案却是“离婚书”。普通的一家人就这样遭遇到一场危机，所有成员都以此为契机抒发了自己内心的不满。
原本相看两生厌、互不信任不会武功的文治皇帝和舞刀弄枪的武将皇后因意外互换了身体，不得不接受现实的两人，在扮演对方身份的过程中，解开了误会，学会了爱与信任。结发为夫妻，恩爱两不疑。
《大群》一剧将围绕大卫·豪勒这个角色展开，他一直在与自己的“噩梦”(寄生于其精神面中的反派变种人影王)抗争，直到遇到了梦中女孩Syd（RachelKeller饰），才决定坦然接受真实的自己。
只是，这胡家……板栗急忙道：皇上，若要饶恕胡钧，断不能杀了胡敦。
Javascript neither supports abstract classes nor has the concept of interfaces. Therefore, be very careful when using the state mode. If you forget to implement the buttonWasPressed method for a state subclass when writing a state subclass, an exception will be thrown when the state switches. Because Context always delegates requests to the buttonWasPressed method of the state object. Therefore, let the abstract method of the abstract parent class throw an exception directly, which will be found at least during the program run.
Germany: 760,000
As a result, we can certainly imagine that what we did at that time was not professional, and Push was much slower than the professional information platform. After all, we did not have a fast mechanism and backstage.
Massaya，泰语的意思是鱼。人如其名，Massaya从小就像小鱼儿一样调皮，不受拘束。她的父亲出自名门望族 ，但由于奶奶误会她的母亲血统卑贱，从出生之日起，她就被父亲的家人轻视与侮辱。时光流逝，她渐渐长大。如奶奶 Rattanamahasarn 夫人期望的一样，她成为 了一位高雅美丽的淑女。但那些仇恨与偏见、傲慢与轻视却也都深深扎入了她的内心，融入了她的骨血。在富 有的Rattanamahasarn家族中，她得到的只有冷眼相待 。她独自一人面对着所有的冷漠与敌意，但内心却仍然期待着一个温暖的港湾 。终于，他——Lak出现了。他玩世不恭，从不认为有任何事可以比酒精和朋友聚会更重要。但在Massaya的眼里，他却像个天使。任何人都不知道，其实Lak 也正一点点地爱上这个独一无二的女孩，Massaya。横亘在这对儿相爱的人之间的，不仅有血统和家族的障 碍，还有两颗为爱情而 不知所措的心。就在这个时候，一位善良的天使出现了……
以韩国偶像团体H.O.T.与水晶男孩当红的1990年代末的釜山为背景，讲述沉浸在偶像组合的女高中生和朋友们的成长日记，拍摄镜头在2012年与90年代之间流转变化，33岁的主角们透过同学会的聚首，勾勒出一连串高潮迭起的青春年华大回顾，其中包含了朋友、恋人、兄弟、夫妇之间各色各样的感情。剧中大量运用90年代热门歌曲，加上B.B. Call、卡带、电子鸡、跳舞毯等当时流行之物，更是唤起观众的回忆。
日常当中突然出现的空洞。
The pronunciation for Steve is: [sti:v].
